Biblioteca IFEA
Biblioteca IFEA

Color and Meaning: (Record no. 167748)

MARC details
000 -LIDER
Campo de control de longitud fija 02094nam a22002297a 4500
007 - CAMPO FIJO DE DESCRIPCION FISICA--INFORMACION GENERAL
Campo de control de longitud fija ta
008 - ELEMENTOS DE LONGITUD FIJA--INFORMACION GENERAL
Campo de control de longitud fija 211021b ||||| |||| 00| 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
ISBN 9780500282151
040 ## - FUENTE DE CATALOGACION
Agencia que realiza la transcripción peliife
041 17 - CODIGO DE IDIOMA
Source of code ISO 639-1
Código de idioma para texto eng
084 ## - OTRO NUMERO DE CLASIFICACION
Número de clasificación Art.407
100 1# - ASIENTO PRINCIPAL--NOMBRE PERSONAL
Nombre personal Cage, John
9 (RLIN) 591
245 10 - TITULO
Título Color and Meaning:
Subtítulo Art, Science, and Symbolism
260 ## - PUBLICACION, DISTRIBUCION, ETC.
Lugar de publicación London:
Nombre del editor Thames & Hudson,
Fecha de publicación 1999
300 ## - DESCRIPCION FISICA
Extensión 320 p. :
Otros detalles físicos ill., graph.
504 ## - NOTA DE BIBLIOGRAFIA, ETC.
Nota de bibliografía bibliogr. p. 306-311
520 ## - NOTA DE RESUMEN, ETC.
Nota de sumario, etc. Is color just a physiological reaction, a sensation resulting from different wave lengths of light on receptors in our eyes? Does color have an effect on our feelings? The phenomenon of color is examined in extraordinary new ways in John Gage's latest book. His pioneering study is informed by the conviction that color is a contingent, historical occurrence whose meaning, like language, lies in the particular contexts in which it is experienced and interpreted.<br/><br/>Gage covers topics as diverse as the optical mixing techniques implicit in mosaic; medieval color-symbolism; the equipment of the manuscript illuminator's workshop, the color languages and color practices of Latin America at the time of the Spanish Conquest; the earliest history of the prism; and the color ideas of Goethe and Runge, Blake and Turner, Seurat and Matisse.<br/><br/>From the perspective of the history of science, Gage considers the bearing of Newton's optical discoveries on painting, the chemist Chevreul's contact with painters and the growing interest of experimental psychologists in the topic of color in the late nineteenth century, particularly in relation to synaesthesia. He includes an invaluable overview of the twentieth-century literature that bears on the historical interpretation of color in art. Gage's explorations further extend the concepts he addressed in his prize-winning book, Color and Culture.
710 2# - ASIENTO SECUNDARIO --NOMBRE CORPORATIVO
Nombre corporativo o de jurisdicción Thames & Hudson
Relator term éd.
9 (RLIN) 592
856 ## - LOCALIZACION Y ACCESO ELECTRONICO
Texto del vínculo https://books.google.com.pe/books?id=EU74cB7kMMsC&printsec=frontcover&hl=es#v=onepage&q&f=false
942 ## - CAMPOS ADICIONALES (KOHA)
Fuente de clasificación IFEA
Tipo de ítem Libro
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Collection code Permanent location Current location Date acquired Inventory number Total Checkouts Full call number Barcode Date last seen Copy number Price effective from Koha item type
    IFEA     Colección general Biblioteca IFEA Biblioteca IFEA 29/03/2021 47341   Art.407 Art.407.1 21/10/2021 c.1 21/10/2021 Libro